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  • Tooradin Footbridge @ Night

    I took this image a few years ago when I was living down at the coastal town of Tooradin. I'd always thought that the bridge would make a good night time image.
    The photo is a four image HDR:
    f22,0, 9.0 sec. ISO100
    f22.0, 99.0 sec. ISO 100
    f22.0, 120.0 sec. ISO 100
    f22.0, 240.0 sec. ISO 100
    Canon 7D with Sigma 17-70 @17mm
    Post processed with NIK's HDR Effex Pro 2 using the Realistic_01 preset. It was then converted to B/W with NIK's Silver Effex Pro 2 using the Film Noir 3 preset.

    C & C greatly appreciated.

    Click image for larger version  Name:	Footbridge-1.jpg Views:	1 Size:	163.6 KB ID:	459919
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  • #2
    Well worth the treatment John! Great result from putting some thought in to it. It's a great image to put the straightening tut to good use for the top half and the jetty boards and railing (RHS) - just sayin'
    I Shoot A Canon

    Web: isacimages.com / My Gear / Flickr Photostream
    My memory's not as sharp as it used to be.
    Also, my memory's not as sharp as it used to be.

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    • #3
      Originally posted by Isac View Post
      Well worth the treatment John! Great result from putting some thought in to it. It's a great image to put the straightening tut to good use for the top half and the jetty boards and railing (RHS) - just sayin'
      The image was initially straightened to the first full board. This gave a horizontal line to gauge other lines off. Most of the posts down the left hand side are damn close to vertical. As you have noticed the RHS is leaning in. Some of this is probably due to the fact that I was shooting low with a semi-wide angle setting. Other factors at work are that the bridge itself is quite old and has it's foundations in the black mud you find in a mangrove swamp, which is basically what the area (Sawtells Inlet) is. You would be hard pressed to find a truly level, or square surface on this bridge.
      I'm not sure where to start if I were to try and straighten this image.
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      • Isac
        Isac commented
        Editing a comment
        No worries John. I guess the bridge is a bit like us - a but out of whack and struggling to stay upright

      • Grumpy John
        Grumpy John commented
        Editing a comment
        Yeah, I wish all my current aches and pains could be corrected with a few keystrokes

    • #4
      Very nice image John. I think it would be better rotated right a little. I think you are correct that it has converging verticals due to the low angle with a wide angle lens. I don't mind these if left and right are at the same angle (both leaning in). I think you are better off ignoring the angle of the front boards - this is possibly due to the camera being pointed a little to the right rather than tilted. I would also consider removing the light on the right edge.
      Alan W

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      • Grumpy John
        Grumpy John commented
        Editing a comment
        Thanks for the feedback Alan. I tried all sorts of lens correction techniques, but couldn't come up with anything pleasing so I left it alone. I agree about "balancing" the lines and will have a go at it later.

    • #5
      1 degree CW, lights at the RHS gone.

      Click image for larger version

Name:	Footbridge-1-(edit).jpg
Views:	66
Size:	148.5 KB
ID:	460056
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      • #6
        I like the straightened version better. Not worried about the first board as the vanishing point is not in the centre of the frame.
        Better a full bottle in front of me
        than a full frontal lobotomy.
        Hans

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        • #7
          Yep second for the straightened version with the lights gone.
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          • #8
            Ye, that has improved an already fine shot
            Alan W

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            • #9
              Thank you everyone for your helpful C & C.
              We all get too close, both emotionally, and physically to our images and can easily end up with a flawed image. To this end, honest criticism can be the most powerful tool at our disposal.
              For me it is not always about ending up with a realistic view of what the camera captured, but what I was feeling at the time. So sometimes the colours may be a bit exaggerated, the lighting overly moody, or any other combination of effects. The point is we still need input from other photographers to help us improve.
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